A written word is live – straight from the author’s mind or heart.
And once out, it becomes past to him. The author moves on, his ramblings on matters prodding his heart. To stay with the same words would be to live in the past.
What then attract us to read and like a certain prose? To want to have more of the same from the author… like minds? feel the same energy?,. adoration? … awakening?
Words are to the mind what food is to the hungry stomach…
… something archaic like… “if music be the food of love, play on…”
Now, coming to writing prose, poems, verses (I don’t profess to be in any of these league – hear that Admin?! – I am certainly not equipped and remain an understudy.)
But whatever that moves the pen or keyboard, if it comes from the heart, it will shine through (grammar mistakes and all). So, those of you who have a certain ‘rush of emotion’, or if you come across a certain writing and wish to share it here, please do…
But don’t just copy & paste, please write something on why it touches you.
Correct me if I am wrong. I believe many prose or poems are written well under “depressive state of mind”. Could it be that the human mind needs an outlet to explore, to let go, to heal?
Whereas when the mind is in a state of being “happy”, there is little else to complain.
And to those cheena-ah-mooi, ah chai and ah pek, or Ali and Muthusamy… this could be the place for you to pick up your England… oops English…
If you like songs & music, then you can’t say you don’t like poems, prose or verses. For I am sure certain lyrics in a song would have touched your heart.
For starters, I have here something I have written in December of 2007…
A Promise
Time feels like a rushing
a glimpse, a movement, an energy forced
a dance without rhythm, dance with no song
Air so crisp, you think it will cut
the fragile lines of the body form
And so it moves on like a felt pen waiting for the last drip of ink
The mind soars to thoughts but it is numbed in sequence played
like some black and white movies without sound
its images scared with lines so familiar
A shout with hardly an echo
a drowning, of sounds too many to find
a secret with a beginning with no end
the hollowness of a promise, its meaning without breadth
Petai